Proof Review: The Dark Knight Rises (2012)

Release Date
July 20, 2012
Director
Christopher Nolan
Screenplay
Christopher Nolan
Jonathan Nolan
Distributed By
Warner Bros. Pictures
Budget
$230 million
Action, Crime, Drama, Thriller
Rated PG-13 for intense sequences of violence and action, some sensuality and language
164 minutes

The Dark Knight Rises

Expectations and presumptions can kill a film. That’s why I went into “The Dark Knight Rises” with neither. Too many people I know walked into the final Christopher Nolan Batman film with the expectation that it should be better than “The Dark Knight” and in my mind, that just wasn’t possible. “The Dark Knight” is a near perfect film and Heath Ledger and his out-of-this-world rendition of The Joker was pivotal in making it such a huge success. But no one expected perfection walking into that film in 2008; it was a much welcomed surprise.

“The Dark Knight Rises” is a much deeper and darker Batman film than any of the previous installments. The darkness is what separates Nolan’s Batman from previous visions of the hero, yet somehow that becomes a downfall for most viewers in this final film. By creating such a dark, and sometimes depressing, world surrounding Bruce Wayne and Gotham City, the moments that do introduce hope become that much more powerful. Had the film been a complete balance of emotions, this would not have been the case, and the tone would have suffered.

Another common complaint about the film is that the masked crusader hardly ever shows up in costume. To that I respond that Batman is hardly ever needed throughout the film. There are so many interesting characters and pieces of the puzzle being explored that throwing Batman in just to get screen-time seems completely unnecessary. When Batman does show up, it means something and has a specific purpose.

All of the main cast hit their marks with perfection. The returning cast have helped create a sturdy foundation for the franchise, setting it apart from any previous superhero films. Christian Bale continues a solid run as Bruce Wayne/Batman, remaining completely sincere in his heartfelt moments while producing power and agility in his role as Batman. Gary Oldman, Morgan Freeman, and Michael Caine are so in touch with their characters and their extreme ability to transform into those characters, that without their presence, these films would be just another cog in the superhero genre.

What would eventually sell this entire film would come down to the new-comers: Joseph Gordon-Levitt, Anne Hathaway, Marion Coutillard, and, of course, Tom Hardy. Joseph Gordon-Levitt, who is often a comedic actor, shows no sign of that anywhere in his performance of Gotham City Police Officer, John Blake. Placing him close to Gary Oldman, yet knowing the identity of Batman, sets him up perfectly in this film. Top that with JGL’s impressive acting abilities and this becomes one of his best showings to-date. Anne Hathaway is often not a favorite actress of mine and remained the one casting choice I questioned before the film. Despite my reservations, Hathaway makes the part of Catwoman/Selina Kyle her own and completely impresses with her ability to “turn it on”, so to speak. She is smart and powerful as well as extremely sexy throughout her entire character arc and helps provide an epic ending to the film. Marion Coutillard impresses as well, delivering some much needed passion in the film.

Not to discredit Heath Ledger and his performance whatsoever, but The Joker villain is one of the most well known super-villains in the Batman universe and although Ledger made the character his own, it is a hell of a lot easier to get that persona off the ground than, say, a lesser known villain like Bane. Tom Hardy brings an almost unknown Batman villain to A-lister status with a strong performance in only voice and eyes. Despite the backlash towards Bane’s sometimes inaudible voice, his stature and power, along with intellect, makes the central villain of the film much more impressive than given credit for. With such a different villain than we’re used to, Tom Hardy’s Bane will help “The Dark Knight Rises” stand out for generations to come.

Even though the fight scenes are few and far between, the ones that are present resonate throughout the entire film. Batman and Bane’s first brawl in the sewers is undeniably epic, as is the final brawl on the steps of city hall. The element that sets this apart from other Batman films is that these two men are basically equals, both trained by Ra’s al Ghul (however Bane is often made out to be much more powerful than Batman), so to see them boxing one another rather than using gadgets and artillery is a welcome shift. This makes their battles much more intimate, giving them more meaning than if they were just shooting at one another.

Christopher Nolan proves himself as one of the most innovative and all-around best writer/directors in the industry today. With a run-time of almost three hours, being able to immerse an audience in a fantasy world without making it feel like three hours (and still wanting more by the end) is a commendable feat. In additional to an exceptional story, the Hans Zimmer score is worth the theater experience alone, providing one of the best scores since his score in Nolan’s previous film, “Inception”. Bringing it all together are the seamless visual effects, which are bound to get Academy attention around Oscar season.

A masterpiece in storytelling and delivering one of the best third films in a series, ever, “The Dark Knight Rises” finds the perfect way to bring the franchise full circle. Openly Nolan’s last venture into the Batman lore, the film wraps up exquisitely, with the last 30 minutes of the film containing thoughtful reveals and twists, which are built throughout the course of the film (and unfathomably kept hushed during the marketing of the film). All the actors hit their marks, with Bale, Freeman, Caine, and Oldman delivering above-par repeat performances, while Hathaway, Coutillard, Hardy, and Gordon-Levitt blow away expectations and deliver unforgettable performances. Every character has their part to play in the plot, especially in the last act, which will satisfy any level of Batman fan. Though the fights are few and far between, the battles that do exist are epic enough to resonate through the entire film. With the continued impressive streak of director Christopher Nolan, the final Batman film truly holds up and helps mark the capstone of one of the greatest trilogies in cinema history.

 

One thought on “Proof Review: The Dark Knight Rises (2012)

  1. Hey!

    Nick from http://www.cinekatz.com here. Doing some scout work for the LAMB. We’re wanting to make an email newsletter for community features as well as a list we’re making similar to Sight & Sound’s best movies of all time list. Just need an email! Email me at npowe131 at gmail.com

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