One Minute Review: Riddick (2013)

Release Date
September 6, 2013
Director
David Twohy
Screenplay
David Twohy
Distributed By
Universal Pictures
Budget
$38 million
Action, Science Fiction, Thriller
Rated R for strong violence, language and some sexual content/nudity
119 minutes

Riddick

Returning to most of its former glory, “Riddick” is a decent science fiction action film with a spirited showing from lead Vin Diesel. Following a similar plot to “Pitch Black” and completely abandoning the shlock that was “The Chronicles of Riddick”, this third installment brings back the survivalist element as Riddick (Diesel) attempts to adapt to an abandoned planet that was said to be Furya, his home (which it is not). Befriending a baby hyena-dog and preparing to fight the dangerous scorpion-fish creatures that block him from escaping, Riddick shows his strength as well as his vulnerability as he deals with the elements. Although the CGI landscape looks quite two-dimensional and the pet dog creature is rather un-rendered, the creatures and the violence breath real and are some of the most entertaining portions of the film.

Paper thin, macho action film dialogue aside, the screenplay from director David Twohy, is appreciatively basic, providing a ticking clock, with the approaching storm, and enough characters to carry one’s attention. Set up a lot like “Pitch Black”, two groups of Mercs arrive on the planet when Riddick sends out a beacon. One by one, Riddick picks off these men in attempt to get one of the ships to take off planet before the scorpion-fish creatures arrive under the passing rain clouds. Chalk full of lewd violence and blatant nudity, “Riddick” is all action film, through and through, providing laughs and intensity that only action films can provide. There’s no re-inventing the wheel here, and rightfully so, as Twohy takes a healthy step back into the world that made this franchise a cult hit with the first film out of the gate. Relying heavily on the charisma of Vin Diesel, “Riddick” won’t break any records or even reach cult status, but it does show that directors and producers learn from their mistakes and can successfully shift a failing concept back on track.

 

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